I’m bicoastal between Los Angeles and New York City. My practice of technology-driven performance and publication centers around internet history and digital art. The following has been listed, among others, on this CV spreadsheet of past, present, and upcoming work. Updates are posted through Instagram, and I welcome messages through email (mindy seu at gmail dot com). You can also see some musings on Are.na. For professional bios written in the third person, refer to the blurb at the top of the spreadsheet. Otherwise, continue reading for the latest collaborations...

A SEXUAL HISTORY OF THE INTERNET (LECTURE PERFORMANCE) will tour to New York, Los Angeles, Hong Kong, Berlin, Madrid, among others, between 2025 September–December. Our September 20th premiere at Pioneer Works synced the voices of 350 audience members and their phones in this polyvocal performance of re-citation. See the performance archive to view documentation from past performances. If you or your org would like to commission a new lecture performance for 2026, please email. This Instagram-Stories-as-Lecture format was first conceived of by Julio Correa in my Lecture Performance studio course (Fall 2023) at Yale School of Art. I further developed this format, in collaboration with Correa.

A SEXUAL HISTORY OF THE INTERNET (BOOK) is a financial experiment. For every book sold, profit will be redistributed to those cited within. Read more about this experiment on Metalabel and order the book! It's a 700+ page artist book, no larger than your iPhone. Thank you so much to my collaborators: Laura Coombs (design), Meg Miller (editing), and Ven Qiu (illustrations).

CYBERFEMINISM INDEX (LECTURE PERFORMANCE) — In 2022–23, I had a whirlwind international book tour with 85 events in 50 cities and 21 countries. We’ve held sold-out events at the New Museum (New York), Whitechapel Gallery (London), Lafayette Anticipations (Paris), MCA Australia (Sydney), and Amant Foundation (Brooklyn), among others. During a Summer 2022 residency at MacDowell, I worked on the Cyberfeminism Index performative reading with bespoke Augmented Reality app by Tommy Martinez. To preview this lecture performance, please view the documentation of our New Museum event by Rhizome. For more lectures, view the “Performances” and “Talks” tabs of my CV spreadsheet.

CYBERFEMINISM INDEX (BOOK) was published by Inventory Press, distributed by D.A.P, designed by Laura Coombs, and edited by Andrew Scheinman and Eugenia Bell, with image permissions by Danielle Wu. It is a recipient of the Graham Foundation Grant. The CYBERFEMINISM INDEX (WEBSITE) was commissioned by Rhizome and premiered with New Museum’s First Look. Thank you to my collaborator Angeline Meitzler who developed the online database, with frontend support from Janine Rosen and Print CSS support by Charles Broskoski. This research began during my time at the Berkman Klein Center for the Internet & Society and Harvard GSD. Thank you so much to my GSD mentors Jeffrey Schnapp and Malkit Shoshan.

SOME WRITING
* Serpentine Gallery, Conversation with Legacy Russell, for the new exhibition catalog for Danielle Brathwaite-Shirley
* Hyundai Artlab, “Mindy Seu Traces the Origins of Internet Green”
* Yale Perspecta 57: Archival Ferment, Conversation with Carmen Winant (title tbd)
* United States Artists, “The Digital is Physical,” Conversation with Mimi Onuoha
* Outland, “Performing Lectures”
* Source Type, Geoff Han’s Image RIP, “The Internet Exists on Planet Earth: Earth, Water, Sky”
* Spike #77 “Field Guide to AI,” I interviewed Martine Syms and Margarete Jahrmann
* Pioneer Works, Software for Artists #2: Untethering the Web, The Metaverse is a Contested Territory”
For more texts, view the “Writing” tab of my CV spreadsheet.

TEACHING — In January 2024, I joined UCLA’s Design Media Arts Department (my alma mater) as tenured faculty. Prior to this, I was an Assistant Professor at Rutgers, and Critic at Yale School of Art. All of my classes and workshops can be seen on my teaching portal.

SOME PRESS Some recent features about my work can be seen in... Vanity Fair by Delia Cai, Walker Art Center’s The Gradient by Marie Hoejlund, Brooklyn Rail by Jenny Wu, Dazed by Liara Roux, PIN-UP edited by Emmanuel Olunkwa, Pioneer Works’s Broadcast by Salome Asega, and High Snobiety by Fiona Duncan and Esra Padgett, as well as Fast Company by Jarrett Fuller and Frieze by Lisa Yin Zhang. For a more personal interview, see this interview by Clémence Polès in Passerby. All features can be found in the “Press” tab in my CV spreadsheet.

This website was last updated on 06 October 2025. View the previous update from 05 September 2024. In the meta-title, you’ll see that this website is in progress... I tweak it every so often, but the past several versions have used Prof. Dr. style for easy maintenance. Everything written by me on this page is licensed under the Creative Commons Attribution-Noncommercial 3.0 United States License. You don’t need to ask permission to use it, but please give credit!